Author Archives: Kevin Singer

Doctor Who: the companion takes charge

by in Amy Pond, Clara Oswald, Doctor Who, Donna Noble, Jenna Coleman, Manic Pixie Dream Girl, Martha Jones, Matt Smith, Peter Capaldi, Rose Tyler, Steven Moffat and tagged | Leave a comment

Doctor Who. the brilliant, long-running British sci-fi classic, is a vexing show when it comes to one element: the companions.

Basically, the companions of the time-traveling alien are stand-ins for the audience. The companion 1) allows the Doctor to explain, in exposition form, whatever is going on, and 2) serves to humanize the Doctor. And the companion is typically female.

There’s a well-worn cinematic trope called the Manic Pixie Dream Girl. This is a character who is bright, bubbly and friendly, there to help the male protagonist achieve some measure of enlightenment. She has little if any inner life. She’s there simply to be the protagonist’s foil. Think Audrey Hepburn’s character in Breakfast at Tiffanys, or Natalie Portman in Garden State.

Doctor Who is ripe for Manic Pixie Dream Girls. The Doctor is a lost soul, a mournful (white) man searching for meaning and purpose in life. You would think Doctor Who would be bursting with Manic Pixie Dream Girls. But this show has mostly avoided falling into that trap. Let’s run down the companions (in the new Doctor Who era) and why they haven’t reached Manic Pixie Dream Girl status:

Rose Tyler was plucky and not afraid to hold her tongue. But she was too poor, uneducated and unrefined to be a Manic Pixie Dream Girl.

Rose

Martha Jones was closer to being a Manic Pixie Dream Girl in that she was in love with the Doctor from the get-go. But she’s black (which doesn’t fit the archetype made by/for white guys) and way too educated (a doctor).

Martha

Donna Noble was my favorite companion, but she was nowhere close to being a Manic Pixie Dream Girl. She was too old, too physically imposing, and too rude. In short, she was too much her own person.

Donna

Amy Pond comes closest to being a Manic Pixie Dream Girl compared to the previous three. But Amy had a well-documented childhood that was messed up by the Doctor’s brief appearance and then disappearance. As a result, Amy 1) had a past. Manic Pixie Dream Girls barely exist as characters in their own right. And, 2) her past left her pretty messed up. Manic Pixie Dream Girls are supposed to be blank slates. Amy was definitely not blank (even if it was due to the meddling of our hero).

Amy Pond

And then there’s Clara Oswald.

If anyone was built to be a Manic Pixie Dream girl, it was Clara (played by Jenna Coleman), the pretty, brown-haired, pretty, perky, sarcastic schoolteacher. She was introduced under a veil of mystery (as two different characters centuries apart). She was known as the Impossible Girl; Clara Oswald helped save the Doctor by fragmenting herself across his multiple time streams. Her sole purpose was to save the Doctor, literally. You cannot get more Manic Pixie Dream Girl than that. She fit the definition. Hell, the definition could have been written about her.

Clara

But then something strange happened.

The incarnation of the Doctor that she saved (Matt Smith) died. And when the new one (played by Matt SmithPeter Capaldi) came along, she was strangely cold to him. Kind of weird for someone who had seen several versions of the Doctor. But she hasn’t just been cold: she has often battled him for control. That is NOT a Manic Pixie Dream Girl.

So what happened?

I read a news snippet where Doctor Who head writer Steven Moffat explained that Clara Oswald does not see herself as a supporting character in the Doctor’s story. Clara Oswald sees herself as the protagonist, every bit as smart and wise and worthy as the Doctor. In fact, HE is the supporting character in HER story (Hence the brilliant Clara Who opening in one episode).

Peter Capaldi

This is a great inversion of the Manic Pixie Dream Girl archetype. I don’t know if I completely buy it for one reason: with his control of the time-traveling machine the TARDIS, the Doctor is the one who dictates the agenda; he controls the storyline. But even if the Doctor truly holds power, Clara does not acknowledge this. Clara Oswald is a supporting character who refuses to support. Not just that, she demands support (which may be why she was so angry when her Manic Pixie Dream Boy shed his pretty face).

If this is true (which I am leaning toward), then we should all be asking who Clara’s next companion will be.

Ascension — a fatal bait-and-switch

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I have to give the SyFy network some credit. After taking a strange turn away from all things sci-fi several years ago, they’re making an effort to cultivate new sci-fi programming. Helix, for example, is a solid, if not great, show.

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I was excited to see the promos for SyFy’s new miniseries (and possible series) Ascension. Not just because it stars Battlestar Galactica alum Tricia Helfer, though that’s a plus. Mainly I was ASCENSION-HELFERintrigued by its plot. This is what we were told Ascension would be about:

A spaceship is launched in 1963 to colonize the far reaches of space. Halfway through their 100-year journey, they’ve been isolated from Earth, yet continue on with their mission.

Wow. So many thematic possibilities. The obvious question, what would a society be like that never saw advances such as civil rights and feminism? And how would this society have evolved over a full generation with nothing to rely on but their faith in their mission? Space operas tend to focus on the larger mission, that is, surviving in space and getting to the planet. Few genre shows get into the nitty gritty of day-to-day survival. In my opinion, that’s one reason why The Walking Dead is such a successful show. When it comes to zombies, it is wholly conventional — nothing new to see there. But what it does different than every other zombie show we’ve seen is focus on the mechanics of survival. Ascension, based on its premise, seemed like it could be the sci-fi equivalent.

Ascension

Unfortunately it did none of this. Instead, what we got with Ascension was one of the biggest bait-and-switches I’ve seen on TV.

(SPOILERS BELOW…)

At the very end of the first night of Ascension‘s three night run, we discovered that the spaceship was not in fact traveling in space. It had never left the ground. The whole thing was a planned, covert experiment.

What???

So, you mean to tell me, the last two hours I’ve invested in these people and their mission was wasted? And there are four hours left?

Now, I’m all for dramatic twists, but this one undermined the whole premise of Ascension. I was lured to a show about space exploration, not a show about a Truman Show style social experiment.

I watched the remaining four hours of Ascension, though my heart wasn’t in it. I didn’t care about the power struggle among those running the experiment, and I no longer cared about what was happening on the spaceship, because their mission wasn’t real anyway. And all I could focus on were the flaws: the boring angsty teen subplot, the annoying child actor who played a girl with mystical abilities.

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By the time the ending came — a convoluted, inexplicable mess of a thing — I was glad it was over, and I was also sorry that I never got to see the show that I was originally promised.

So long, River Song

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If this brief interview is any hint, we won’t be seeing the return of two of the most interesting Doctor Who characters—River Song and Captain Jack Harkness—as long as head writer Steven Moffat is around.

I for one am disappointed.

River Song

River Song, as played by Alex Kingston, was a larger-than-life character in a show filled with larger-than-life characters. From the first time we saw her in the Silence in the Library episode way back in season 4, River took control of every scene she was in. She possessed a singular confidence that only grew stronger as she showed up in different points in the Doctor’s timeline. And when we learned of River’s vulnerabilities (as well as her unique origin story), she only became stronger. Rarely has a character’s first appearance been their death scene. Moffat made it—and River—work.

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And then there’s Jack Harkness. As played by John Barrowman, Jack was similar to River in that he was overflowing with vitality. Like River, he pushed the Doctor’s buttons. He was also groundbreaking: Jack Harkness was openly, and actively, bisexual. And he was fearless. The character was spun off into his own show, Torchwood, which was darker and more adult. Torchwood also revealed Harkness’s deep sadness, as a man who could live forever would have to watch his loved ones die.

In this interview, Moffat addresses the possibility of bringing River Song and Jack Harkness back to Doctor Who. To sum it up, never say never. But it would have to be done right, he continues, and that would be hard to pull off.

If you read between the lines, then we won’t be seeing either return to Doctor Who in the near future. That’s disappointing. Both characters brought much vitality to the show. Hopefully we’ll see the introduction of new iconic characters instead.

Time’s arrow and our weird universe

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Our universe, and the nature of time, may be much stranger than we ever could have imagined.

Think about this. What is time? It is something that can be measured.Seconds, minutes, hours, years, millennia. But unlike other properties of our physical world, it only goes in one direction. You can’t add or subtract time, not literally. This has left scientists stumped.

Now, scientists have come up with one of the more bizarre theories of the universe and time that I’ve ever heard. To explain the back and forth movement of time, our universe might be just one side of another universe that was formed during the big bang. And since we exist on the opposite side of that universe, we are living in that mirror universe’s distant past.

This all comes courtesy of an article in Scientific American (by Lee Billings, who I work with there, btw). Much of it is over my head, to be honest, and I’m probably not summarizing it correctly. But what intrigues me most is the whole issue of time as a physical property. I always assumed that time flows, consistently, constantly, in one direction. But scientists can’t explain this. I never realized it was an issue.

After reading the article, I didn’t come away with the impression that we’re going to build some sort of time machine. or maybe visit this parallel universe (thought that would really be cool from a sci-fi perspective). What the article shows me is that there’s so much that we don’t know — about the universe, about life, about even ourselves.

Some might be scared by this lack of certainty. I think it’s exhilarating.

Is Peter Pan a villain?

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When it comes to storytelling, who is the villain and who is the hero? Sometimes it depends on point of view.

Take Peter Pan. Originally written by J.M. Barrie, the story of the lost boy from Neverland has been popularized by Disney, on Broadway and on television. We all know the story of Peter Pan, the adventurous, valiant boy who refuses to grow up.

But what if Peter Pan as a character is someone much darker than we want to admit?

peter-pan

Over at Tor.com, Emily Asher-Perrin writes a terrific essay that reassesses this much loved childhood story, and she makes a convincing case that at best, Peter is a scary hero who comes close to being the true villain of the story.

Here’s a summary of her evidence:

–Neverland is a world that caters to his every desire. He’s the dictator of that realm. Whatever he says, goes. That’s a lot of power—maybe too much power—for a hero to possess.

–When Neverland gets too crowded with lost boys, Peter Pan thins out the herd. In her essay, Asher-Perrin uses a single word to describe this: murder. Ouch.

–He cares little for Wendy or her family apart from their ability to amuse him. When bored, he’ll just find another Wendy to take away.

–And then there’s Captain Hook. We’ve always believed he was the villain. But think about it: Peter Pan cut his hand off and fed it to a crocodile. No wonder Hook is pissed.

These are intriguing arguments. But the most compelling piece of evidence (which Asher-Perrin does discuss) is the sum of all this. Peter Pan is basically selfish. He’s a self-involved character who refuses to grow up, and who creates an entire world—Neverland—which is his to rule.

When you look at Peter Pan in this way — as a character whose growth has been stunted — it’s fitting that he loses his shadow. Carl Jung would have a field day with Peter Pan.

Pan myth

And then there’s the fact that in Greek myth, Pan is a hedonistic, wild, goat-like god. He’s all about pleasure, as is our supposed hero, Peter. When you add this all up, you get someone you’d definitely want to keep at arm’s length.

 

 

 

Mars attacked!

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Was there once a grand civilization on our neighboring planet that was annihilated by a nuclear attack? One researcher says yes. While it’s impossible to prove (for now), the sci-fi geek in me loves this story.

mars

Mars has gotten some, but not enough, attention in the world of sci-fi. H.G. Wells got the ball rolling with War of the Worlds, where we were attacked by Martians (I loved the Tom Cruise movie as well). There have been sporadic Martian-themed stories, including Ray Bradbury’s The Martian Chronicles and Kim Stanley Robinson’s Red/Blue/Green Mars trilogy. And there have also been one-off stories, like Doctor Who‘s The Waters of Mars episode.

mars and earth

But these are all fictional. What about the real Mars? The red planet is smaller than ours, colder, and less hospitable to human life (and any life, so far). It’s long been theorized that the Mars of the distant past was a very different planet, one capable of supporting life.

John Brandenburg, a plasma physicist, speculates that Mars once had a civilization as advanced as the ancient Egyptians. But this civilization caught the attention of some nasty aliens, who nuked these Martians, and rendered the planet uninhabitable. His evidence? The large number of nuclear isotopes detected on Mars.

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The takeaway, according to Brandenburg, is that we’d better get our butts (and not just rovers) to Mars ASAP, and figure out exactly what happen, lest it happen to us as well. See, we’re too noisy, blasting our radio signals out into the universe. Eventually, the Martian killers are bound to notice us.

He has a point. If there is a superior civilization out there, they may very well decide to rid themselves of any competition. And we’re pretty much defenseless. But what can I do about a high-tech alien force attacking? Not much of anything, so I’ll file that away in the “Things I cannot control, so therefore I won’t worry about it” drawer.

The idea that there were advanced civilizations on Mars that suffered a nuclear holocaust intrigues the sci-fi fan in me. Was Mars nuked? I don’t know nearly enough about the science to say no, though I think that Brandenburg is taking one too many leaps of logic. Nevertheless, the nuking of Mars makes great sci-fi fodder.

Read this book: Black Moon

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Have you ever had a wicked bout of insomnia? It’s near dawn and you haven’t been able to sleep, no matter what you do. The world outside your bedroom is fast asleep, but not you. And slowly, you begin to hate all these lucky sleepers as your mind jumps and skitters.

Imagine if that insomnia lasted not one night, but several days — and then endlessly. What would you do? How much of your sanity would remain?

Black MoonThis is the premise of Kenneth Calhoun’s debut novel Black Moon. An unexplained insomnia plague has struck. People are becoming sleepless zombies, losing their minds as they wander the landscape. A lucky few, however, can still sleep. Only they’re targeted by the angry hordes.

Black Moon is a new take on the zombie craze that refuses to die out. It includes several zombie tropes that we all know so well by now — the ravaged landscape, the plucky heroes targeted, the dystopian gloom. The fact that these “zombies” are still alive is a fresh twist.

This strong premise, and not the characterization or plotting, is what carries this book, and it’s unfortunate. Black Moon is a good book. It could have been a great one.

Time for the breakdown. First, the good:

— As I said, the premise is strong. It taps into a nearly universal experience. Most of us have been frustrated by not being able to fall asleep. And we have also had that spacey, drunk-like feeling of being sleep deprived. Black Moon raises an interesting question: how much of our daily life is simply a valiant effort to hold back the unconscious wildness that streaks through our minds at any given moment? Our dream worlds, like our inner monologues, are free flowing and chaotic. Which is our more natural state?

— Apocalyptic books can take one of two paths: the knowledgeable official (government, scientist, etc), who works to solve the problem, or the ordinary Joe/Jane who struggles to survive. I prefer the latter. Black Moon shifted between several characters — average people all struggling to cope. This book provided no answers, and it didn’t even try to. I appreciated that.

— At around 300 pages, Black Moon is short. It is a quick and thrilling read. And Calhoun can write quality prose.

And the not so good:

— Plotting is not one of the stronger suits of Black Moon. We shift between character viewpoints, which isn’t a problem, except when the shifts jump around, leaving the reader confused as to what happened and why. You may find yourself backtracking several times, and not in a good way. Calhoun had the room to explore several scenes more fully, and for some reason, he chose not to.

— The characters were a mixed bag. Biggs is one of the POV characters. He can sleep, and he searches for his insomniac wife, Carolyn. All the while, we get their back story as a couple. While I could relate to Biggs through his interactions with his dying world, I could not relate to the wife he described. I didn’t like her at all, and didn’t care. Several of the characters seemed like cardboard cut-outs, not flesh-and-blood people.

These drawbacks were not insignificant. Luckily, the premise is strong enough to counterbalance these flaws. Ultimately, Black Moon is a fun book. It’s a new take on the zombie craze that will keep you up at night as you race to finish it.

See this movie: Interstellar

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Take a smart director and two of the best actors working today, and add a sweeping sci-fi plot, and you get Interstellar. While not a perfect film, it’s definitely worth the hype, and your time.

Interstellar

I’ve been a fan of writer/director Christopher Nolan since Memento, his time-twisting tale of an amnesiac. Since then, he’s gone on to mainstream success (to put it mildly). He reinvigorated the stale Batman franchise when he brought Christian Bale to play Bruce Wayne, and the final movie in the trilogy, The Dark Knight Rises, with its timely skewering of the over-the-top Occupy Wall Street movement, was phenomenal.  With Inception, he managed to make dreams thrilling. Inception was a riveting spectacle with an ending that’s still debated on the Internet.

With Interstellar, Nolan takes on a staple of Hollywood — space travel. Interstellar is a straight-up sci-fi flick. Matthew McConaughey plays Cooper, a former astronaut turned farmer. Cooper lives in a near-future, dying Earth, somewhere in middle America with his 15-year-old son Tom and 10-year-old daughter Murph. Coop is led to a secret NASA site and soon leaves his family on a mission to save mankind by searching for inhabitable planets.

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That’s the plot in a nutshell. And that’s basically all you need to know to get started. Of course there are twists and turns as the quartet of earthlings search for that elusive, habitable world. I won’t tell too much, because part of the fun is going along for the ride. Safe to say, it’s a bumpy ride.

So, now for the breakdown.

The good…

—Matthew McConaughey has never been better. He plays dashing action hero, committed scientist, and distraught father, all without missing a beat. He’s completely believable, and fully relatable, throughout. He’s just jumped high on my list of favorite actors.

McConaughey daughter

—Jessica Chastain plays an adult version of his daughter, Murphy. Both Chastain and the actress who plays her as a child are great. I’m a huge fan of Chastain, and she didn’t disappoint. Both McConaughey and Chastain bring a similar intensity to their roles, which is fitting, because it’s clear that the father/daughter bond they share is deep and intense.

Jessica Chastain

—The special effects are excellent. There are several tense scenes. Thanks to the solid effects, I often felt as if I was there.

—Nolan capably balances several contrasting themes. He brings high emotion with regard to the separated families. He adds humor with the robots (which I loved — you have to see Interstellar to understand), and he also paid homage to one of the greatest sci-fi classics, Stanley Kubrick’s 2001, A Space Odyssey.

—While Interstellar was long — around 3 hours — there was enough movement and momentum to keep me interested the whole time. Not an easy thing.

—Nolan hired an honest-to-goodness scientist to advise him. It shows (as far as my non-physicist brain can tell).

And the not so good…

—Anne Hathaway’s character, Amelia Brand, was probably the biggest disappointment. A fellow scientist, Brand isn’t fleshed out as a three dimensional character. It was most noticeable in a pivotal scene where her emotions—and intentions—seemingly came from left field.

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—The first 30 minutes of Interstellar were confusing. They never explained what exactly was happening on Earth, why the planet was dying. Sometimes a little exposition was helpful. And there was an extended early scene of McConaughey chasing a drone through a cornfield. That scene was long and pointless.

—At a crucial point in Interstellar, Nolan cut back and forth between Cooper out in space and his grown-up daughter on Earth. It was choppy and distracting.

—Poor Tom, Coop’s oldest son. Murphy got all the attention, both from the writers and from Cooper himself. No one really seemed to care about Tom.

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—There was a scene at the very end (I won’t reveal it), but it made no sense for me, considering the history of the two characters, and it left a bad taste in my mouth. All I’ll say is, he wouldn’t have left so quickly.

But these are minor flaws. All in all, Interstellar was a fun and intense sci-fi movie. It may not rise to classic status, but it’s definitely a great way to spend three glorious hours.