Rogue One: The Second-Best Star Wars Movie

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If you’re a Star Wars fan, then you’ve seen Rogue One, the latest film in the franchise and a sort of standalone movie. (If you’re a Star Wars fan and have NOT seen Rogue One, then you’re not a fan — sorry.)

I went into the viewing with low expectations. Why the hell would they make a standalone film? Money, of course. Disney is milking their cash cow. Fine, that’s their right.

My low expectations were totally wrong. For me, Rogue One was the second best of all the Star Wars movies. It was expertly plotted, with a sharp cast who were all believable. Rogue rogue-one-3one managed to capture the slightly dated atmosphere of the originals while keeping a modern tone. The action was very well paced, and the special effects took a backseat to storytelling.

There were two action sequences that I found unbelievable. One involved inhuman jumping. The other, holding on for life in the pouring rain. Both impossible! But for an action film, such is expected.

Other than that, it was fun as hell. We also got Darth Vader and Princess Leia! I’m not complaining.

So here’s my list of the top Star Wars films so far:

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  1. The Empire Strikes Back
  2. Rogue One
  3. A New Hope
  4. The Force Awakens
  5. Return of the Jedi

Oh, and I’m not including the prequel trilogy. I like to pretend those crappy movies never existed.

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Sensuality, Shakespeare and Stranger Things

Where the hell has Winona Ryder been?

Like half my friends, I just finished binge-watching Netflix’s Stranger Things, an eight-part sci-fi/horror series that’s partly a homage to the 1980s. Overall it was very good, both addicting and entertaining, once I was able to slide into the story.

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A lot has been made of the fact that Stranger Things is set in 1983, and the directors took great pains to ground the series in that time frame. The senses are constantly distracted by elements from the early ’80s — from music to the clothes and hairstyles to the decor of the houses.

I appreciate the effort, but it was overkill, too much of a good thing, and it distracted from the story. Having been alive and aware in 1983 I kept finding myself questioning how accurate it all was, and it seemed too dated.

Luckily, in a stroke of brilliance, they cast Winona Ryder as the lead. She played against type — the woman who made her name as a quirky everywoman played a worried, desperate, and unstoppable mother.

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Winona Ryder is about my age, and when I was younger a lot of guys I knew had crushes on her. But to me she always seemed unformed. She a girl, not a woman. I didn’t get the attraction, and I never followed her career.

Winona_RyderIn these intervening years she’s had some not-so-secret difficulties, as we all have. And when I look at pictures of her now — she’s hot. She’s a woman now, a fully formed adult with all the complications that brings.

In Stranger Things Ryder was effective not just for her acting, but because, in contrast to the set, she was not stylized. She was gaunt and frail. Ryder’s pixie quality was a strength here, as we saw a woman who’s been beaten down by life in many ways but keeps fighting.

Coincidentally, last week I saw Shakespeare’s Troilus and Cressida in Central Park. One of the actors listed in that play was David Harbour as Achilles, a rambunctious warrior torn between his fellow soldier/boyfriend and a woman he pines for back home.

Harbour, unfortunately, dropped out two days before I saw the play. He tore his Achilles tendon during a performance (you can’t make that up). However, when I started binge-watching Stranger Things the next day, whose name pops up in the credits?

David Harbour, as Chief Hopper.

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Like Winona Ryder, he brought a physicality that rooted the show. In one of his earliest scenes he’s outside shirtless smoking a cigarette after a hard night of drinking. He’s pale with a paunch. He’s tired. He’s hung over. And he’s real in a fully relatable way.

Watching Stranger Things was a totally different experience than watching Troilus and Cressida. Compared with television, it’s harder for me to lose myself while watching a play. I’m hyper aware of the fact that it’s fake. Troilus and Cressida was hard-charging. The actors were loud and physical. There was constant movement — touching, scrapping, fighting. The play used these sensory elements to draw me in.

Stranger Things, while fun, was using the sensory elements of 1983 (or a close approximation) as a wink to the audience, and it was distracting. Luckily they cast Winona Ryder and David Harbour as their leads. They were natural, and by using their physicality to ground the show, they ended up saving it.