It Follows: hype and (no) story

I’m a sucker for a good horror movie. Give me some chills and thrills, but not too much gore, and I’m into it. but good horror movies are hard to find. Too often the thrills are just obvious and trite. Every scary story has seemingly been told.

it-follows-movie-posterThat’s why when I caught word of the new horror film It Follows, I was excited. io9.com, one of my go-to websites, called it absolutely must-see horror flick. They gushed over this movie so much (as did other media outlets) that I couldn’t wait to see it. So I forked over $14.50 and went.

First, the premise. Set in a typical middle America suburb (in Michigan), 19-year-old Jay (played by Maika Monroe) is dating a mysterious guy named Hugh (played by Jake Weary). After they have sex for the first time, he ties her up and tells her that he’s passed on a curse to her. A mysterious, slow-walking demon-like creature that can take the form of any human will follow her, and if it touches her, she will die. If she dies, then the curse will revert back to Hugh. The only way she can survive is to pass the curse on by having sex with someone else.

A killer premise, right? But premise doesn’t equal plot.

Before I deconstruct the hype, I’ll talk about what works.

It Follows is beautifully shot. It comes off like an expertly made indie flick. the imagery, from dull suburbia to decaying Detroit, are all lush and inviting.

–The soundtrack is both jarring and creepy. It Follows is scored by Disasterpiece, and it is filled with sudden electronic bursts, thumping synth beats, terror and pounding hearts gone ragged.

–The cast is generally appealing. This movie is not filled with the too-pretty Hollywood types we’re used to seeing. They’re good looking enough to be believable, and the actors all do fine jobs.

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–The pace of the movie is steady. I never felt bored or hurried.

–There were some genuinely creepy elements. The way the creature would stalk Jay was unsettling, and it stayed with me long after the movie ended.

–Early in It Follows, after Jay is first infected, she is scarred by the fact that Hugh attacked her and tied her up. The actor who plays Jay relayed the shame and horror of that all-too-real occurrence in a way that left me shaken.

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But while watching the movie I was acutely aware of the fact that while the premise was strong, and the production was excellent, the plot was thin. Many horror movies fail when it comes to crafting a compelling narrative. Too often the movies simply turn into repetitive scenes of the hero trying to elude or battle the monster, a back-and-forth that just ends suddenly, leaving the viewer unsatisfied. It Follows fell into this trap.

Part of the problem was that the characters were underdeveloped. It took me a good 45 minutes before I realized that the blond girl’s name was Jay — and she’s the main character! There is no backstory, and the movie suffers as a result.

Then there’s the theme. All horror movies have a theme, a primal fear that the writer and director exploits. For It Follows, it was clearly sex. The curse is passed on through sex. But this is a well-worn trope that has almost become a cliche. In my opinion, the writers missed a great opportunity to offer a twist on this. As I said earlier, I was moved by Jay’s traumatized reaction to her attack. It was real and visceral. What would have It Follows been like if they explored the theme of sexual trauma?

Maika Monroe and Jake Weary in It Follows

One of the most compelling scenes is when Jay and her sister and friends track down Hugh, the one who passed the curse along to her. The group sits in the grass as Hugh explains what happened to him. Rather than a villain, Hugh came off as a tortured, terrified soul. I couldn’t help but wonder what this movie would have been if it had spent more time on the characters of Jay and Hugh, and explored the repercussions of their sexual/relational traumas. There were also hints of a Freudian/Oedipal undercurrent, as the creature takes the form of parents of two of the characters. But this was too fleeting to leave much of an impression.

I wish that the writers had gone through a few more drafts. This could have been a truly great horror movie. As it stands, I’m going to buck the hype. It Follows, while well made, is not a brilliant horror film, and not one of the best of the decade. It is well made, chilling, but ultimately unsatisfying. Watch it on Netflix, and save your $14.50.

Watch this movie: Predestination

Time travel story plus great performances minus a creaky plot equals a stylish, though flawed, film.

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It took me about 20 minutes into Predestination, the new sci-fi film starring Ethan Hawke, to figure it all out. Predestination is a movie that tries to shroud itself in mystery, but that mystery is pretty evident to anyone who pays attention. If it wasn’t for the stylish visuals and strong performances by the two main actors — Ethan Hawke and Sarah Snook — Predestination might have ended up being nothing more than a silly time-travel flick that falls apart too quickly.

But it’s not.

The plot, or as much as I can share, is this: Hawke plays a time travel agent who has been hopping around the latter half of the 20th century in an effort to stop the so-called Fizzle Bomber. When he’s on a stakeout as a bartender in a NYC dive in 1970, he meets a surly patron who proceeds to tell him a wild tale.

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That’s about all I can say without giving anything away. Predestination, based on the short story All You Zombies by Robert A. Heinlein, brings one huge thing to the table for me: time travel. I love the conceit. I don’t care that time travel stories are inherently unstable, full of logical paradoxes. They’re fun. Predestination isn’t especially groundbreaking in its use of time travel. But at least they didn’t spend too much time trying to explain it. Part of that was a conscious narrative choice. This is a tightly told story. It sticks very close to certain characters. Just like them, we never get the bigger picture.

What sets Predestination apart from other movies of this genre is the performances. Ethan Hawke has been around long enough now — the man knows how to act convincingly. He is solid throughout. Sarah Snook, who plays a tough but lonely girl named Jane, is something else entirely. I’ve never heard of Snook, but I can’t imagine I won’t be hearing from her again. She had a tough role to play, and she was simply amazing. Her emotions ran the gamut, and she pulled them off convincingly and movingly. As played by Snook, Jane is a tragic character who you can’t help but relate to.

Sarah Snook

Despite all this, Predestination is stuck in B-movie land. The plot, especially toward the end, just could not carry the movie to the point of greatness. Nevertheless, Predestination is worth the time.

Hellraiser: behind the scenes

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I was a teenager when I watched Clive Barker’s iconic horror movie Hellraiser. It freaked me out, to say the least. I’d never seen evil presented on screen in such a visceral, repulsive way. What made it so scary? First, several years of Catholic school had conditioned me to be afraid of hell. Second, the villains — Pinhead and the rest — were not just mindless monsters. They were human. Too human.

This movie has stayed with me after all these years. I haven’t watched it in a long time. Maybe I should. But will Hellraiser hold up? Sure, it was low-budget, but the core element of pure horror will remain as strong as ever, I’m guessing.

In the meantime, I came across this article in io9.com that details some behind-the-scenes tidbits about the movie. Here are a few highlights:

–Clive Barker sold the script for Hellraiser based on the idea alone. He’d never directed a movie — he didn’t even know how. Unfortunately the two books in the library on directing were both checked out.

–Jennifer Tilly auditioned for the role of Kirsty. But Barker wanted Ashley Laurence, an unknown actor, to play the part. He had to fight for her. Obviously he won.

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–Doug Bradley, who played Pinhead, did not want to take the role. Why not? Number one, the hours of makeup required. Number two, with all the makeup, who would recognize him? Now that Pinhead is an icon, I bet he’s glad that he took the role.

–The original title was The Hellbound Heart, but the studio heads worried it would be mistaken for a romance. If only.

–The costumes were inspired by those seen in S&M clubs. Then again, that’s not a surprise.

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See this movie: Edge of Tomorrow

What do you get when you combine aliens, explosions, and the repeating day motif of Groundhog Day? Tom Cruise’s latest sci-fi action flick Edge of Tomorrow.

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Tom Cruise’s personal life gets a lot of attention, but strip away that nuttiness and what you have is a workhorse actor who knows how to entertain. Whether it’s the Mission: Impossible series, Minority Report, or Oblivion, Cruise is a master at making a damn good action film. Edge of Tomorrow is the latest in his string of successes.

Edge of Tomorrow is based on the Japanese sci-fi novel All You Need Is Kill (great title!) by Hiroshi Sakurazaka. All You Need Is KillThe movie’s plot: an alien race known as mimics has overrun the European continent, and unified forces are gearing up for a D-Day style invasion in France. Major William Cage (Cruise) finds himself on the front lines of the invasion, where he quickly dies. Only he doesn’t. Time resets, and he wakes up the morning before the invasion. He relives the same day, dying again and again. Aided by Sergeant Rita Vratraski (Emily Blunt) the war hero known as “Full Metal Bitch,” he plots to defeat the mimics.

What’s great about Edge of Tomorrow:

–Cruise and Blunt are excellent. This isn’t Oscar bait. We’re not looking for amazing acting. We want skill, competence and relatability. They deliver.

–The action is intense. The battle scenes are breakneck, part video game, part roller coaster.

–Humor. I didn’t think I’d be laughing during a Tom Cruise sci-fi action movie, but the writers were wise to add some funny scenes. On one level, this movie almost calls for it. The humor, which comes mostly from bungled deaths (and repeated days) helps break the tension. It also lets the audience laugh at the overall concept. Cruise plays it well — sometimes he’s clearly ready to die (again).

–The invasion of France has clear and obvious parallels to the Allied invasion of Europe in D-Day during World War II. The writers build a pretty complete world, one that has been at war for a while.

What’s not so great:

mimic3–The aliens were fine. I have no major complaints, but there was nothing particularly novel about them. The special effects were also fine. But I wanted a little more.

–I had a couple of issues with the ending, which I won’t reveal. The best I can say is that it was satisfying. I’ll leave it at that.

Overall, Edge of Tomorrow is a thrill ride of a movie with solid performances, some laughs, and great action scenes that make it worth a trip to the theater.

Don’t see this movie: The Host

The Host is proof that a great concept won’t work when saddled with a bad plot and annoying characters.

The_Host_PosterGranted, I’m not the target audience for a YA movie with a romantic subplot based on a book by Twilight’s Stephenie Meyer. But the premise sounded intriguing: the human race is taken over by alien body snatchers that obliterate the host human consciousness. Think of this as a more literal Invasion of the Body Snatchers than the original movie(s), which were all great, but should have been called Invasion of the Body Copiers.

I watched The Host solely for that premise, and that was the only good thing I can say about it.

The plot: Human holdout Melanie Stryder (played by Saoirse Ronan) is captured and taken over by an alien called “Wanderer” (that name was the first warning sign of trouble ahead). But Melanie manages to hold on. Melanie/Wanderer seek out her fellow human holdouts, trailed by a Seeker (the unbelievably beautiful Diane Kruger) who is determined to wipe them out.

The Host ends up turning into a weird love quadrangle. Melanie/Wanderer reunite with KrugerMelanie’s boyfriend Jared, and Wanderer falls in love with some guy named Ian.

How can true love work out if Melanie/Wanderer share the same body? I didn’t really care, because I never bought it. The love story was not developed, it was unrealistic, and the tension felt manufactured.

The rest of The Host was clunky as well. Great actors like William Hurt had little to do, because nothing really exciting or unpredictable happened. Saoirse Ronan is usually a phenomenal actor, but she couldn’t do much in this part. If you want to see her shine in an action flick, watch the surreal Hanna.

The worst part of the movie? Melanie’s voiceover. Since Wanderer had active control, she spoke through the body. Melanie spoke through thoughts, which we heard as a voiceover. Very early on I was wishing that Wanderer had indeed obliterated Melanie. That’s not a good sign.

All of this is a shame, because, like I said, the premise is great. But The Host is bad, and not even in the “so bad it’s good” sense. You’ve been warned: watch The Host at your own risk.

Ultimate Dystopian Showdown: Battle Royale vs. The Hunger Games

I loved both The Hunger Games (books and films) and Battle Royale (the great Japanese movie long rumored to have inspired The Hunger Games). This blogger, The Spectatorial, has a great comparison of the two. What I’d add: while The Hunger Games is great, Battle Royale is better in two ways — it’s not as cartoonish as The Hunger Games, which makes it even scarier; and the “contestants” in Battle Royale have known each other all their lives, which makes the deaths that much more impactful.

Why were killer insects so popular in sci-fi?

I loved cheesy horror/sci-fi movies as a kid, everything from The Blob to The Thing.

But what always freaked me out were the movies about bugs. I remember watching the 1977 film Ants, about swarming, poisonous ants, and being terrified there were ants crawling under my bed. I’d have to check carefully every night, and still I was never sure I was safe.

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io9.com has an article up analyzing why insects were a sci-fi staple, especially in the atomic age of the 1950s (with giant bugs such as those memorable monsters from Them!), but even later, through the ’70s.

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Some think that the fascination—and popularity—had to do with:

–fears of Communism and the reinforcement of trust in an all-powerful US government

–fears of radiation from nuclear fallout

–mistrust in science

–overreliance on chemicals that pervert our natural world.

The article’s conclusion? The popularity of insects as villains was much more simple. That’s when we as a society became more aware of germs and diseases. And pesticides—bug spray, etc—were promoted to get rid of the vermin that were invading our homes.

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We were constantly on the lookout for roaches and ants and mosquitoes in our homes and backyards, so naturally they’d morph into something even more insidious.

Whatever the reason, it made for fun and creepy horror stories.

See this movie: Oculus

Oculus is a cunning, tough horror movie that will leave you unsettled.

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When we last left Karen Gillan, the Scottish woman with the big eyes who played Amy Pond in Doctor Who, she was staring at the weeping angels to avoid being sucked back in time (spoiler: she wasn’t successful).

Oculus Gillan

Now, in Oculus, the actress is donning an American accent (competently) as she stares into a haunted British mirror to fight an evil force.

Oculus is the latest horror offering from the forces behind the Saw series (too gory for me) and the Insidious flicks (good, fun horror). I was expecting something along the lines of Insidious. I was not prepared for a dark and harrowing tale of family madness, PTSD and psychological horror.

The setup: Tim is released from a mental hospital. Ten years earlier, he, along with his sister Kaylie (Karen Gillan), witnessed a horrific crime when their mother turned psychotic and was shot by their father. They only survived because Tim killed their father. Tim has been thoroughly rehabilitated. Kaylie, on the other hand, has gotten hold of the evil mirror which may have driven their parents (their mother is played effectively by Battlestar Galactica‘s Katee Sackhoff, aka Starbuck) to madness and death. She intends to defeat the evil that lies inside, along with Tim’s unwilling help.

Oculus

Oculus was great on two levels.

First, the narrative structure was brilliantly crafted. We bounce back and forth between the present and the original crime 10 years earlier. As the movie progresses, the past and present merge to great effect. And, even though we know the outcome of the events in the past, there’s still heart-pounding tension.

Second, one of the strengths of horror/sci-fi/fantasy is that it gives us the chance to explore common, painful themes in a fantastical setting. Oculus does that. On one level, this is the story of a horrific childhood, mental illness, and the stubborn hold that trauma has on our lives. A good chunk of the film is spent debating reality, for good reason. I enjoy writing about the supernatural because it allows me to explore deeper issues. The writers of Oculus obviously feel the same.

Oculus draws on a rich heritage of horror films. I picked up on the references to The Amityville Horror, a classic movie about possession that scared the life out of me as a kid. It uses these tropes effectively.

My main complaints would be that the Nightmare on Elm Street effects of “is this real or not” were overdone, and the nature of the evil, which was way stronger than our protagonists, was never hinted at (perhaps setting up a sequel). And the title sucks. I keep calling it Ocular. Not good.

Oculus is not an easy movie. It is not an escape. But it shows the power of horror to shine a spotlight on very human terrors.