Classic Lit Challenge, Episode 2: Ethan Frome

Ethan Who??

As I write this I’m listening to Nine Inch Nails — The Day The World Went Away. It fits the mood I was in when I picked up Edith Wharton’s novel Ethan Frome, and the song’s constrained brutality fits the mood of the book.

I was in a “whole world went away” kind of mood when I rummaged through the stacks of books at the local protestant church’s used book pile (paperbacks for a dollar!). I’d just finished Ursula LeGuin’s The Left Hand oethan fromef Darkness, still haunted by that resonating line of hers: Why can I never set my heart on a possible thing? I was desperate for another book, one that had some words and meaning that would give me something (what “thing” I couldn’t say). On a shelf full of plays I found a few dozen classics. I sifted through them, and I chose Edith Wharton’s book for only one reason. It was short. Right now I can’t sit through anything longer than 300 pages, and this paperback version was about 100.

Deal.

All I knew of Edith Wharton was that she was a highly regarded American writer from the turn of the last century, that she was rich, and that she wrote books about rich people. I expected Ethan Frome to be a novel about boring rich people and their fussy manners.

I was wrong.

It’s about poor people and their fussy manners. And their inability to set their hearts on a possible thing.

Don’t get me wrong. I loved Ethan Frome. It’s a big story in a little book. It’s a focused narrative that mines deep emotions. It is restrained yet revealing.

The book is about the title character’s doomed, aborted love affair. Wharton does something interesting craft-wise. She opens with an unnamed narrator (who totally doesn’t matter) describing an older Ethan as a crippled man, both physically and emotionally. Eventually the narrator learns how Ethan became so wounded. Years earlier, Ethan, trapped in a loveless marriage with the shrewish Zeena, falls for her cousin Mattie, who is boarding with the Fromes to help Zeena, who is more or less a hypochondriac. Ethan falls in love with Mattie. Zeena, who only seems to love her mysterious malady, plans on sending Mattie away. Ethan grows desperate.

And then the trouble begins.

I won’t reveal what happened, but I was totally caught up in the story. Everyone is trapped in lives and a society that offer no escape. Their choices are severely constrained. Hope is hard to come by.

It fit my mood perfectly.

Ethan Frome is a book to wallow in. I don’t thing Edith Wharton thought highly of marriage, and she had no clue about struggling working class folk. but none of that mattered. She burrowed deep into the hearts of her characters. She churned a whirlpool of tension until the final shocking moments when she revealed exactly how Ethan’s body and spirit were broken.

Next in my literary challenge, another dark and stormy classic.

 

 

Classic Lit Challenge, Episode 1: The Left Hand of Darkness

It’s been a rough couple of months in my world. To deal with the turbulence I’ve turned inside myself. I pulled back from the real world, mainly because I can’t take the triviality, the overload. That might not make sense, but there’s not much else to explain.

I need some other focus. Television and movies aren’t cutting it right now. Too much crap floating around. And modern books are leaving me hungry for quality. So I’m starting on a self-imposed diet of classic works of literature.

First up, Ursula LeGuin’s The Left Hand of Darkness.

As a speculative fiction fan and writer, I am slightly ashamed to say that I’ve never read anything by LeGuin before. She’s a master of the genre. I picked up The Left Hand of Darkness blindly (knowing nothing about it at all), and read it blindly, not even glancing at the back cover copy. Not too far into the book I understood why she’s so revered.

The Left Hand of Darkness tells the story of Genly Ai, a (male) humanoid emissary to the icy world of Gethen. For Gethen’s humanoid inhabitants, he is their first contact with extraterrestrial life. (Quick recap, which I had to Google to understand: In LeGuin’s fictional universe, there are several humanoid species seeded throughout the universe. These interrelated species are slowly reconnecting with each other).

Gethen is a world unlike any other that Genly Ai has encountered. The people of Gethen are neither male nor female. They are ambisexual, dimorphic. For a few days every month they go into heat, and they become either male or female, depending on their partner, and they mate. when they are not in heat, they revert to an androgynous state.

The story follows Genly Ai’s attempt to understand this strange species of human, as well as influence them to open themselves up to the wider federation of humanoids throughout the universe.

Okay. That’s a lot of explanation on my part, but it’s important to relay the gist of this complicated story. LeGuin does an excellent job of merging storytelling and exposition. She parcels out this info as needed.

All in all I loved this book. The best sci-fi relays a wholly alien experience in a human way. She did this expertly. I did a little research into this book and I discovered that LeGuin is considered a proponent of feminist sci-fi. Unfortunately a lot of well-meaning writers use their platform to preach instead of tell a story. LeGuin did not fall into that trap. Instead she presented the people of Gethen, who were neither male nor female, as being wholly human and relatable. If there was a soapbox, it was well camouflaged.

What surprised me most about The Left Hand of Darkness was that it was written in 1969. Sci-fi tends to comment on the issues of the day. That leaves many sci-fi books feeling dated. Nothing about this book seemed dated. I could have believed it was written last year. LeGuin crafted a timeless tale.

A couple of things I didn’t like (because, alas, no book is perfect): there were tons of wholly alien names thrown around–I had trouble keeping track of who was who. Also, she tends to overdescribe. This was really noticeable during a sequence where two characters were traveling over a snowy landscape. There are only so many interesting ways to describe a snow-covered wilderness.

Next up for my reading challenge is a total 180.

Read this book: Rendezvous With Rama

The beauty of fiction is that when it’s done right, it is timeless. Think of books ranging from Shakespeare’s Hamlet, to Raymond Chandler’s hard-boiled noir novels. Both writers are coming from very different worlds, yet their works contain a human element that transcends their eras.

Science fiction writers including Philip K. Dick, Ursula LeGuin, Octavia Butler, and Ray Bradbury also transcend not only their genres, but the times in which they lived and wrote.

RamaAnother writer to add to that list would be Arthur C. Clarke. I started reading him early, but somehow I missed Rendezvous With Rama.

This book is brilliant in the sense that although it was written in the early 1970s, it reads pretty fresh to someone living in 2015. What it lacks is the modern trend for hyper plotting (yes, there is too much of a good thing, in my view). What contains is a blueprint for hard sci-fi done right.

The basic plot: in 2131, an erratic asteroid is detected by astronomers, This asteroid, named Rama, turns out to be not an asteroid but a spacecraft of some sort. The manned ship Endeavour, helmed by Bill Norton, is sent to approach Rama with the intent of studying it. What they find is an immense, mysterious craft, mind-bogglingly large and packed with unexplained features.

If there is one fault with Rendezvous With Rama, it would be that the characterizations are on the thin side. But Rama is the main character, not Bill Norton or his fellow explorers. And Clarke makes Rama shine. What he gives us is a beautiful portrayal of a ship waking up. Clarke deftly describes the many facets of Rama, always giving just enough information to keep the pages turning.

rendezvous with rama

Surprisingly, Rendezvous With Rama doesn’t come off as dated in any significant sense. There’s ethnic diversity, though he never lingers long on any one character to develop this further.that seem even more ahead of our times. For instance, Clarke describes a stable three way marriage between two men and a woman.

Aside from rendering Rama beautifully, Clarke also shows us a human race that has colonized not only the moon and Mars, but also Mercury and the outer moons of Jupiter and Saturn. He explains these societies briefly, though complete enough to paint a vivid picture.

rama-inside2

Rendezvous With Rama is simple in the best sense. It is a timeless adventure tale that will fill you with wonder. Check it out.