Music and mood: Lorde cover conquers Catching Fire

Music, writing, movies/TV can have a synergistic effect, and when it works, it’s powerful stuff.

A couple of years ago, a friend recommended I read The Hunger Games. I resisted — after all, how would a YA novel about a 16-year-old girl hold my interest. I relented, and I’m glad I did, because the author, Suzanne Collins, crafted a character and story that transcended age, gender, and genre. I went on to read the other two books in the trilogy, Catching Fire and Mockingjay, both excellent, though not perfect.

The Hunger Games translated well to the big screen, and Jennifer Lawrence on the screen was everything that Katniss Everdeen was in the book. Catching Fire is getting positive early reviews, and I was looking forward to seeing it.

Then I heard a song from the Catching Fire soundtrack. It’s by Lorde, a cover of a Tears for Fears song from the 1980s called Everybody Wants to Rule the World (click to hear the original).

The lyrics, written over 20 years ago, could have been penned for the movie. Lorde’s voice is creepy and compelling. Just listening to the 2.31 minute song brought the story to life for me. Now I cannot wait to see the movie. Listen below:

http://www.youtube.com/watch?v=DaVA6sgOpws

I’ve written before about how music has influenced my writing of The Last Conquistador — how unexpected lyrics or melodies left a haunting impression that I wove into the story. The version of this song by Lorde does something similar, even if it wasn’t written for Catching Fire. It captures the desperation of Katniss Everdeen and the whole of Panem society.

Music, images, and words, when woven together, can be a potent combination.

 

 

Read this book: Unwind

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If you survey the landscape of young adult publishing, it would be easy to assume that the future will be bleak. Take a look at Suzanne Collins’ phenomenal Hunger Games series, or Patrick Ness’ Chaos Walking trilogy. Well, add another one to the list.

Unwind, by Neal Shusterman, is set in a future America where the abortion battles led to a war, and the negotiated peace is as follows: abortion is illegal, but children can be unwound between the ages of 13 and 18, if their parents or guardians decide. What is unwinding? The body is taken apart, with each part being donated to someone in need (except for a few unusable bits). So, basically, they’re killed but in the name of charity.

With sci-fi/paranormal/supernatural stories, you often cannot look too closely at the logic behind the premise, lest is falls apart. And with Unwind, you have to ignore the fact that a law where abortion is illegal but adolescent children can be “aborted” would only piss off both sides.

So put that aside.

Once you do, what you get is a compelling and emotionally devastating book. It follows Connor, a bit of a wild kid, who discovers that his parents are going to have him unwound. He runs, and in the course of his travels hooks up with an unlikely pair: Risa, an orphan scheduled for unwinding, and Lev, the tenth child of a religious family who has been designated as a tithe (in other words, he will be unwound as well).

Grisly stuff.

I won’t reveal too much of the plot, which is a cracking story that keeps the pages turning. But this book is more than that. Shusterman hits an emotional core with two key scenes that resonated with me long after I put the book down (yes, it was paperback). Connor and company meet CyFy, a teen who’s had part of his brain replaced. The brain matter came from an unwound child, and now CyFy is accessing the “donor’s” memories and emotions. Only the donor has no idea he’s been unwound. Cyfy heads back to the donor’s home, and the scene between CyFy and the parents is gripping and grueling.

Later in the book, Shusterman describes an unwinding through the eyes of a character undergoing the process. Yep, this character is awake during the procedure. All I can say is that I wish I could write like that.

As with much of YA these days, Unwind may be about teens and labeled for teens, but it’s one for all ages.