The Leftovers rehashed

A strong premise plus great performances does not equal a successful show.

Leftovers promo

I was looking forward to HBO’s new show The Leftovers for two reasons. The first was that it was created by Damon Lindelof, the mastermind behind Lost, one of my favorite TV shows ever.

The second reason was the premise: two percent of Earth’s population has suddenly, inexplicably vanished. This biblical premise has been presented before, and I was interested to see how it would be handled without an overtly religious point of view.

Once you leave behind the religious element, which The Leftovers did, there were two directions in which to take the show: 1) as a jumping point for a wider sci-fi/mystical/horror story, or 2) as a navel-gazing meditation on loss and grief. Unfortunately, the writers chose #2.

Leftovers KevinI wanted to like The Leftovers. And it seemed promising, even once I realized that the “why” of the disappearance would never be addressed.

I liked the cast, and several of the characters, at least in the beginning. Justin Theroux as Kevin Garvey, the police chief, was intense and intriguing. He hadn’t lost anyone close to him in the vanishing, but his family fell apart soon after. He seemed to be losing his mind, and struggled to fulfill his duty as police chief while keeping what was left of his family intact.

Leftovers Patti LaurieAmy Brenneman as his estranged wife Laurie was great at portraying a range of emotions while rarely uttering a word as a member of the Grieving Remnant, a cult that wore white, refused to talk, chain smoked, and harassed whoever they could find, all in the name of reminding people of their losses.

Ann Dowd was brutal as Patti, the local leader of the Grieving Remnant. But part of the problem with this show was not only Patti, but the whole Grieving Remnant. I never liked any of them, and I never understood their motivation, which kept me distant from them.

The ten episode long series seemed to spin in its wheels the whole time. We watched characters struggle to move past an event that occurred three years earlier, yet they never progressed. I wasn’t sure where the story was heading, and halfway through the series, once I realized we would never learn the why, I didn’t care.

However, The Leftovers contained two of the best hours of television I’ve seen in a long time. Usually each episode jumped between different characters, but for two episodes, they chose to focus on a single character.

The first episode followed Matt Jamison (played by Doctor Who‘s Christopher Eccleston). I’ve been a big fan of Eccleston since Shallow Grave. He has a manic intensity, and this episode followed Matt Jamison as he fought to save his bankrupt church. It was a heartbreaking hour of television.

Leftovers Matt

The second episode, which was the best of the season, followed Nora Durst (the sister of Matt Jamison). I’d never heard of Carrie Coon, the actor who played Nora, but she’s high on my radar now. Nora lost her husband and both children in the vanishing. She was left alone. We were given one hour tracking Nora, and it was brilliant, both in the storytelling and in Coon’s portrayal. If only all the episodes were like this, I’d be a fan of The Leftovers, regardless.

Leftovers Nora

I think the fatal flaw of this season was that it followed the Garvey clan, and we were never given any motivation for their surly, strange behavior. There was a flashback episode that showed the Garvey family just before the event, and it did sweeten the bitter Garveys just a bit, but it was too late to change my feelings toward them. If Nora Durst and Matt Jamison were the main characters, I’d be looking forward to season two.

Lukewarm Leftovers

Will The Leftovers become a TV classic? Too soon to tell, but it doesn’t look good.

leftovers

HBO’s new sci-fi-ish series The Leftovers has an intriguing, if unoriginal premise, is based on a high-profile novel, and is produced by the man behind Lost. Yet the first episode left me underwhelmed.

The set-up: two percent of the world’s population has vanished with no explanation. Three years later, the residents of Mapleton (aka Anytown, USA) struggle to move on despite the uncertainty and lingering grief.

the-leftovers-hbo-damon-lindelof

The story follows police chief Kevin Garvey (played excellently by Justin Theroux), who is not quite with it. He struggles to relate to his rebellious teenage daughter Jill, and his son Tom, who has fled to a mysterious commune. He butts heads with the town’s mayor, Kevin and LucyLucy Warburton, and tries to keep the peace between the townspeople and a strange cult that wears white, chain smokes, doesn’t talk, and taunts the grieving. And he may or may not be crazy.

So far, so good. Plus, The Leftovers based on a book by bestselling writer Tom Perrotta. I like it when TV shows and movies have a literary legacy (then again, as a writer, I’m biased). And, it was brought to TV by Damon Lindelof of Lost fame. Say what you will about Lost; that show is a classic in my eyes, with spectacular storytelling and gripping characterization. The Lost connection, more than anything else, had me excited for the show.

But based on the first episode I’m not confident that The Leftovers is headed for greatness. I see two main problems:

1) I fear we will never get any kind of explanation for the disappearance, and this show will become an endless grief-fest.

2) There were so many characters who we zoomed past that it was difficult to get sucked into any of their stories. Theroux’s Kevin Garvey worked well, but aside from him, I felt no real connection with the faces who passed by.

Some of the subplots were interesting. Nihilism has gripped the youth of Mapleton, as we see with Kevin’s daughter Jill. There’s a party scene that perfectly captures the sense that if anyone can suddenly vanish, what’s the point of trying?

The story following Kevin’s prodigal son Tom, who is part of some survivalist-type cult is also intriguing (though the actor is miscast. He is 29 in real life, while his “father” is 42. It shows).

And then there’s Christopher Eccleston of Doctor Who fame who plays a preacher. I’ll tune in to anything with a Doctor Who alum in it.

I’m nowhere near ready to give up on The Leftovers, though I’m somewhat pessimistic. It’s hard to NOT compare The Leftovers to Lost, but as with Lost, I fear that the writers will lose their way when it comes to the sci-fi elements.

I hope I’m wrong.