Watch This Movie: Pearl

I got into a horror kick recently. Why do I love horror? The thrills, the inventiveness, the over-the-topness, the almost cartoonish quality that stylized, fake horror, when done right, can have. Pearl came up on my Amazon Prime feed. The promo image was a Wizard of Oz riff, a Dorothyesque girl climbing a Scarecrow mount. It honestly confused me.

I almost passed it by. So glad I didn’t.

Pearl falls into the category of what I call Sunlit Horror (I don’t know if that’s a real genre. Now it is). Like Midsommar, the bulk of the action and the terror takes place in the daytime on perfectly sunny days. Instead of Be Afraid of the Dark it’s just Be Afraid.

Here’s the basic plot: It’s 1918 rural Texas. Pearl is a farmgirl with a stern German immigrant mother, a disabled father and a husband off in Europe fighting WW1. Pearl hates her dreary life. She dreams of being a star in the new film industry.

Sounds like a fun movie, right?

Well, it is, but not the way that that summary implies. Add to the plot some crushed dreams, a hungry alligator, and we’re off in a wholly different direction.

There are so many great things about Pearl. First, the visuals. Pearl such a beautiful movie, filmed in bright colors like old Hollywood classics on acid. It plays with the Wizard of Oz allusions but twists them and even perverts them in one of the weirdest and best scenes in the movie. Just for the visuals alone, Pearl is worth your time.

Another great thing about Pearl is the entire cast. The director Ti West assembled a strong ensemble to play characters who are well written to fill the tropes we love and expect in horror films (yes, tropes can be a good thing). The standout for me was Pearl herself. I’d heard of Mia Goth but never seen her in movies, only knowing her as the girl with no eyebrows. Turns out she does have eyebrows, they’re just very blonde. She’s perfect in this role, pretty but not too pretty, striving and failing. Goth is great at showing her desires, frustration and ultimately her rage. There’s an audition scene that, if there was any justice in the world, would have won Goth an Oscar. And there’s a scene at the end, a closeup of Pearl’s face, where Goth manages to portray a range of emotions from rage to happiness to madness to pure ridiculousness.

So my bottom line is: Pearl is one of the best horror flicks I’ve seen in a long time. Watch it.

And then watch X. Also starring Mia Goth, X is the first movie in this trilogy, but it’s set in 1979 Texas as a porn crew ventures to a run-down Texas farmhouse to film a movie.

Guess who owns the farmhouse.

Trope or Choke: Episode 9

The challenge: write a complete story in 500 words or less following these guidelines:

Setting: Haunted House

Genre: Romance + Adventure

Trope: Love in rehab

Characters: A woman missing three fingers + a blind baseball player

POV: 3rd/past

The result:

Love Is Just Another Drug

Oliver dug his claws into Nina’s shoulder so hard she almost smacked him. God she hated that parrot.

“He’s gone, you know that.”

“He’s here,” Nina said. “I’ll find him.

“Careful. Your next door might be your last.”

She sighed because it was true. “One more door. I swear.”

“One more bump, you mean, right, girlie?”

Nina rested her hand on the knob. It burned. She let go, then grabbed it quick and twisted. Inside a swirl of mist coalesced into a woman with wild hair and a mouth pried open. “Devour!” she yelled.

The parrot squawked furiously. It released from Nina’s shoulder and bit off her pinkie finger. She tumbled back and shut the door behind her.

She lay on the floor and stared at her bleeding hand. “How could you?”

“I saved our lives.”

“Well don’t do that again.”

“If you simply exit,” Oliver said, “I won’t need to.”

“You know that’s not happening. Not until I find him.”

Oliver settled back on her shoulder. “Tragic. The baseball player who lost his sight and lost himself to heroin.”

“He kicked,” Nina said. “Like I did. And now we love each other.”

“Love? He doesn’t even know what you look like.”

“His words were true.”

Oliver squawked. “He’s a liar. Like that Helen Keller. You know she was a communist?”

“Jared’s no communist. He’s a good man. One more door.”

Nina shuffled deeper into darkness. She stopped before a black oak door and opened it. Inside a little girl sat at a desk drawing. Nina tiptoed closer to get a glimpse. The girl scribbled furiously, an exploding sun that devoured the earth. She looked up at Nina with black eyes. “You’re next.”

Oliver screeched. He flew up and around and before he settled back down he nipped off part of Nina’s ring finger. Nina screamed and ran out of the room and slammed the door behind her.

“Why did you do that?”

Oliver mimicked her words then cackled. “I warned you. Let’s leave.”

“No. Jared’s here somewhere. I feel him.”

“A love for the ages,” Oliver mocked. “The dark ages, that is.”

“I’m not leaving here without my happily ever after.”

“Don’t you know that love is just another drug?”

Nina ignored him. She climbed the staircase and rested her forehead on the first door. “This has to be it.”

She gave the knob one mighty twist. Inside, dusty furniture crowded the silent room. Two steps in and a hooded figure roared out from the shadows. “I’ve been waiting for you,” it moaned.

Before she could think she was on the other side of the shut door with one less finger. She screamed. “Stop torturing me.”

“Stop torturing yourself and give him up.”

She stalked back down and faced another door. This would be her last. She opened it and shielded her eyes from blinding sunlight and looked down. There he sat, all golden and mellow, a baseball clutched in his hand.

“I’ve missed you so much,” Jared said.